On Friday the 16th in Canberra at our Volunteers' Gathering Mary Powell, one of our Board Members, presented the following and I thought it was something all of our volunteers would enjoy reading.
More Than
a Craft: Quilts as Art, History, Memory, and Community
By Mary
Powell, Aussie Hero Quilts Board Member
Good evening
everyone,
Thank you
for the opportunity to speak tonight about something that many of us value
deeply, but which is sometimes underestimated by those outside the quilting
community.
When people
hear the word quilting, they often think of it as a craft. They think of
fabric, thread, patterns, sewing machines, and perhaps a treasured quilt on a
bed or hanging on a wall. All of those things are part of quilting, but they
are only part of the story.
A quilt is
rarely just a quilt: it can be a work of
art, a family archive, a memorial. It can preserve history, celebrate identity,
express gratitude, and build community. A quilt can carry stories across
generations in a way that few other objects can. In many respects, it is memory
stitched into cloth.
That is why
quilting deserves to be recognised not simply as a craft, but as an important
cultural, artistic, and community endeavour.
The history
of quilting stretches across centuries and continents. Wherever people lived,
they found ways to stitch layers of fabric together to provide warmth and
comfort. Yet it did not take long for necessity to become creativity.
People began
arranging colours, shapes, and patterns in ways that reflected their values,
beliefs, and surroundings. A practical object became something expressive. What
was made to warm the body soon began to nourish the spirit as well.
One of the
remarkable things about quilts is that they tell the stories of ordinary
people. History books often focus on governments, wars, leaders, and major
events. Quilts tell us about families, homes, communities, and everyday life.
They reveal what people wore, what materials they had access to, what they
valued, and how they responded to the challenges of their time.
Many
historic quilts were made from clothing and household textiles that already
held personal significance. Pieces of a wedding dress, a child's clothing, a
work shirt, a military uniform, or a cherished garment might all find their way
into a quilt. Looking at such a quilt is a little like reading a family
history, except the stories are told through fabric rather than words.
Long before
photography became commonplace, quilts preserved fragments of people's lives.
They held memories that might otherwise have been lost.
Because of
this, quilts are increasingly recognised by museums and historians as important
cultural artefacts. They provide insights that cannot always be found in
official records. They remind us that history is not only made in parliaments,
courtrooms, or battlefields. It is also made around kitchen tables, in family
homes, and within communities.
Today, the
artistic significance of quilting is increasingly recognised. Quilters make
decisions about colour, balance, design, texture, symbolism, and visual
storytelling in much the same way as painters or sculptors.
Perhaps no
example illustrates this better than the celebrated quilts of Gee's Bend in
Alabama. Created by African American women from available materials and borne
out of practical necessity, these quilts are now displayed in leading museums
and galleries around the world. They are recognised not merely as examples of craftsmanship,
but as significant works of art.
This reminds us that great art does not always emerge from studios or
academies. Sometimes it emerges from community traditions, lived experience,
and the resourcefulness of ordinary people.
And
Australia has its own rich heritage
Australia's
textile traditions are both ancient and diverse. Long before European
settlement, Aboriginal peoples across south-eastern Australia created possum
skin cloaks made from carefully sewn possum pelts. These cloaks provided
warmth, shelter, bedding, and protection from the elements, but they were far
more than practical garments. They were deeply personal cultural objects that
accompanied people throughout their lives and were often handed down through
generations. As additional skins were added over time, a cloak could become a
record of a person's journey through life. The inner surface was often incised
with patterns, symbols, insignia, totems, and designs representing Country,
family connections, responsibilities, and significant experiences. In this way,
a possum skin cloak functioned not only as clothing, but also as a repository
of memory, identity, and belonging. Like a quilt, it carried stories that could
be touched, worn, shared, and passed on. The revival of possum skin cloak
making by Aboriginal communities in recent decades has highlighted the
continuing cultural significance of these remarkable objects and reminds us
that some of Australia's oldest textile traditions were already preserving
stories through stitched skins thousands of years before European quilting
traditions arrived.
European
settlers later brought with them a range of quilting traditions that evolved in
response to Australian conditions. In a country where materials could be scarce
and distances immense, fabric was carefully conserved and nothing was wasted if
it could be given a second life. What could have been discarded was transformed
into something useful and beautiful. Quilts became practical household objects,
but they also became repositories of family history.
As Australia
grew and welcomed migrants from around the world, quilting traditions travelled
with them. Techniques, patterns, colours, and textile traditions from Europe,
Asia, the Middle East, and many other regions became part of Australia's
quilting story. Contemporary Australian quilting reflects that rich diversity
and serves as a reminder that culture is constantly evolving while remaining
connected to its roots. The result is
the rich and varied quilting culture we see in Australia today, one that
reflects both the world's oldest continuing cultures and the many communities
that have since made Australia home.
There is
another reason quilts occupy such a special place in human culture. Unlike a
painting hanging on a wall or a sculpture displayed on a pedestal, a quilt is
made to be touched, handled, wrapped around the body, and lived with. From the
moment it is created, a quilt enters the intimate spaces of people's lives. It
is pulled over sleeping children, draped across laps, packed into suitcases,
carried from one home to another, and passed from one generation to the next.
Over time, it absorbs the traces of those who use it. This physical closeness
gives quilts a unique emotional power.
They do
not simply depict human experience; they participate in it.
Because
quilts are made for use as well as contemplation, they are often able to carry
stories, memories, and feelings in a particularly immediate and tangible way.
The worn edge where a hand has rested for years, the faded patch from a
favourite dress, or the careful repair made by a parent or grandparent can
evoke memories with a force that few other art forms can match. A quilt does
not merely remind us of people and events. It allows us, quite
literally, to feel connected to them. That capacity to combine beauty,
utility, memory, and human touch is one of the qualities that makes quilts such
remarkable cultural objects.
Quilts
have also played an important role in moments of collective remembrance.
One of
Australia's most significant examples is the AIDS Memorial Quilt. Created by
families, friends, and communities, its panels commemorated those who had died
from HIV/AIDS. What began as individual acts of remembrance became a powerful
public work that honoured lives, challenged stigma, and ensured that people
would not be forgotten.
The AIDS
Memorial Quilt demonstrates something important about quilting. Quilts are
capable of carrying both personal and public meaning at the same time. They
tell individual stories, but they also tell larger social stories.
This has
often given quilts an unexpected role in political and social life.
Throughout
history, quilts have sometimes been used to express values, support causes, and
draw attention to important issues. Long before many women had access to formal
political influence, textiles provided a means through which they could
participate in public conversations. Quilts were used to support charitable
causes, raise funds for social movements, commemorate historical events, and
promote ideas about justice, equality, peace, and community responsibility.
What is
particularly striking is that quilts rarely communicate through argument or
confrontation. Instead, they communicate through stories.
A quilt
rarely tells people what to think. It invites them to reflect.
By
presenting human experiences in a tangible and deeply personal form, quilts
often encourage understanding in ways that speeches, reports, or statistics
cannot. A viewer may encounter a quilt because of its beauty, but stay because
of the story it tells.
This ability
to connect individual experience with broader social issues is one of
quilting's most powerful qualities.
And perhaps
nowhere is that more evident than in quilts created for veterans and serving
military members.
Throughout
history, men and women serving their countries have treasured letters from
home. Those letters carried comfort, encouragement, and reassurance. They
reminded people serving far from home that they remained connected to those who
cared about them.
A quilt
given to a veteran serves a similar purpose.
In many
ways, it is a letter from home written in fabric rather than ink.
Every stitch
represents time freely given. Every carefully chosen piece of fabric reflects
thought and care. The completed quilt carries a message that is both simple and
profound:
your service is recognised, your sacrifice is remembered,
your community has not forgotten you, and your country thanks you.
Across
Australia and many other countries, volunteers like yourselves dedicate
thousands of hours to creating quilts for veterans. These quilts provide
warmth, but more importantly they provide acknowledgement. They tell
veterans that their experiences matter and that their service continues to be
valued.
Many
veterans treasure these quilts alongside medals, photographs, diaries, and
service records. Some quilts become family heirlooms, passed from one
generation to the next. They carry stories just as surely as letters,
photographs, and personal memoirs do.
For that
reason, quilts made for veterans and deployed military members deserve to be
regarded as important historical artefacts in their own right.
Museums and
war memorials preserve letters because they reveal the human side of military
service. They preserve diaries because they give voice to individual
experience. They preserve photographs because they connect us to moments in
time.
Quilts
serve exactly the same purpose.
They tell us
not only about the individuals who served, but also about the communities that
supported them. They reveal something about gratitude, remembrance, and
collective responsibility. A veteran's quilt records a relationship between
service and the community in a way that few other objects can.
Imagine a
visitor standing in a museum hundreds of years from now, looking at a quilt
created for a veteran of our own era. That visitor will not simply see fabric
and stitching. They will see evidence of a community that chose to honour
service through your generosity, skill, patience, and care.
They will
see an object that speaks not of politics or of military strategy, but of human
connection.
Every Aussie
Hero quilt represents time given, skills learned, stories remembered, and
relationships maintained.
Every
Aussie Hero quilt preserves memories, celebrates culture, honours service,
strengthens communities, and encourages creativity.
Every Aussie
Hero quilt reflects a belief that care, creativity, connection, recognition,
and gratitude matter.
That is why
quilt making - our quilt making - deserves to be recognised as far more
than a craft. It is an art form, a cultural practice, a means of preserving
history, a vehicle for community building, and sometimes even a way of
expressing the values and concerns of an entire society.
When we look
at an Aussie Hero quilt, we are not simply looking at fabric and thread. We are
looking at lives, stories, memories, and relationships stitched together into
something that can be shared, preserved, and passed on.
So, an
Aussie Hero quilt does much more than keep us warm.
It keeps our
history, our culture, our connection, and our gratitude alive.
It keeps the
stories of our veterans and the story of our nation alive.
Long after
the hands that made it are gone, a quilt continues to speak. It speaks of who
we were, what we valued, and how we cared for one another.
Few
objects can do that so quietly, and so powerfully.
And that is
the enduring power of a quilt: it takes pieces that might otherwise have remained
separate, and stitches them together into something stronger, more beautiful,
and more meaningful than any one piece could ever be on its own. In doing so, it becomes an artwork, a family
heirloom, an historical record, an act of love.
This is why
quilts matter, and why the tradition of quilt making deserves to be cherished,
preserved, and passed on to future generations, carrying our stories into
the future one stitch at a time.
! I received my stay mat on my course in Bathurst whilst receiving my assistance dog from DCD in September this year.
